Maiden’s Bloom: The Art of Emilia Olsen

By Jennifer Simmz

“Persephone had it right. If you must go, might as well take all of spring with you—”

– Cathy Linh Che, Letters to Doc

In a flourish of color and wild beauty, Emilia Olsen’s work lures us deep into the subconscious unknown – through desert, jungle, or dark lagoon – of a country we innately recognize. Confronting our innermost vulnerabilities and soft points, we traverse deep into the caverns of our soul, the dark shadows of our exposed forms flickering across the walls. Olsen’s faceless maidens, with their pink, sun-kissed flesh, confront their mortality and heartbreak with the age-old symbol of vanitas – a grinning, bleached skull. Much like Persephone dragging the lush flora down with her descent into Hades, Olsen’s subjects embrace the darkest part of their ego within a state of botanic euphoria.

The legend of Persephone is one of many myths that illustrate the life/death/life cycle. It is from this foundation that the trope of Death and The Maiden, an allegorical motif in Renaissance art, arose. In an era of Western history that experienced a high mortality rate, to gaze at the inevitable void and ask its guardian to dance was to extract the fear of time. By yielding to the siren song, one could evaporate into existential ecstasy.

Emilia Olsen’s paintings harken to this theme. The skull and bones present throughout her work are subliminal symbols for the things we have buried, but will continue to haunt us until we exhume them: past hurts, lost loves, future reckonings. Her women, hidden behind veils of hands, hair, and vines, must eventually untwist and cut themselves free from their verdant bindings, dig down into the dirt and pull up the weeds around their heart – or face their end. The juxtaposition of flowering life and withering death creates a seductive contrast, and while fixed in that alluring state of tension, in the inherent grace of the moment, the maidens bloom.

2. Thru The Vines 2; 2018THru the vines 2 Oil, caulk, acrylic, pumice medium on canvas 40.0h x 30in
Thru The Vines (2018) Emilia Olsen ©
1. Untitled; 2017 Oil and R+F sticks on canvas 48.0h x 36.0w in
Untitled (2017) Emilia Olsen ©
3. Untitled; 2018 Oil, R+F sticks, caulk, acrylic, pumice medium on canvas 40.0h x 30.0w in
Untitled (2018) Emilia Olsen ©
4. Vines
Vines (2018) Emilia Olsen ©
5. Lovers; 2018 Oil on canvas 30.0h x 24.0w in
Lovers (2018) Emilia Olsen ©
6. Us; 2018 Oil on canvas 14.0h x 12.0w in
Us (2018) Emilia Olsen ©
7.Poppies, 2018 Oil and R+F sticks on canvas 14 x 11 in
Poppies (2018) Emilia Olsen ©
8. Skeleton Ex; 2018 Oil, R+F sticks, caulk on canvas 12.0h x 9.0w in
Skeleton Ex (2018) Emilia Olsen ©

Death and the Maiden exhibition from June 3 – July 29, 2018.

Doppelgänger | Studio
59-33 Linden Street
2nd Floor
Ridgewood, NY 11385

To find out more about Emilia Olsen visit: emiliawolsen.com.

For enquiries or to arrange a visit to the exhibition visit: doppelgangerprojects.com.

js_4
Emilia’s work exhibited at Doppelgänger Studio, New York

Guest Post

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: