Lauren LeRoy is a funeral director from New York State. Entering mortuary school at nineteen, she had no idea what she was in for. Lauren reflects on her experiences in a male dominated industry and on why her job is so important. This beautiful dedication to her Grandfather’s memory takes us back to a snowyContinue reading “Little Miss Funeral”
Death & the Maiden’s co-founder, Sarah Chavez, delves into the reasons underlying the current interest many women seem to have with death, and the rise of the Death Positive movement. Exploring a question persistently asked and rooted at the very core of Death & the Maiden: Why are so many women currently interested in death andContinue reading “Death & the Maidens: Why Women Are Working With Death”
A beautiful work of fiction for you this week from Angie McLachlan. Capturing the essences of a myriad of deaths, feelings and experiences, plucked from her 25 years serving families & caring for the dead through the sacred art and science of Embalming. Making clear this is more than just a job, Angie delves into theContinue reading “Sleeping Beauty”
Ruth Penfold-Mounce tells us how it can pay (literally) to be a celebrity in death. Companies may choose the immortalised over the high maintenance to be the face of their brand. Marilyn Monroe is a shining example of this. She has her own perfume line, appears on all kinds of products & has even appearedContinue reading “Death Becomes Her: Marilyn Monroe’s Posthumous Career”
As a video game developer, Gabby DaRienzo has always been interested in how death is represented & dealt with in games. The interactivity of video games makes them the perfect medium to explore topics like death, giving players the opportunity to participate in and explore mortality, loss, and grief directly. In this post Gabby sharesContinue reading “Death & Video Game Development”
From the moment Myeashea Alexander heard the American Association of Anthropology announce there would be a day dedicated to the celebration of anthropology she knew she wanted to celebrate through outreach. Taking a hands on approach Myeashea created a forensic anthropology lab for the kids at local Brooklyn public school, Bedford Village Elementary. Exploring theContinue reading “World Anthropology Day”
Whether it has been your lifelong desire. Your recently discovered calling. Or just something you came across this morning on Buzzfeed, you are all probably wondering one thing. Just how the heck do I go about becoming a mortician? Well, the wonderful Amber Carvaly of Undertaking LA is here to tell you.
Women and death, particularly the role women are currently playing in the death positive movement and as death professionals made frequent headlines this year. Here’s a recap of what 2015 had to offer from our co-founder Sarah Troop.
It was sudden, unexpected. The naked bleakness of a dead woman – my mother – in her bathtub still haunts me; well it surely would. It is a memory that has the quality and starkness that gets etched into one. There are good memories of her death too – that she was picked up byContinue reading “Living Out Questions of Death”
We are doulas of death. A birth doula provides support and guidance to the birthday mother and the brand new life. End of life doulas have forged an innovative approach to the care of the dying by putting emphasis on the importance of relationship and accompaniment. What we do is support. Practical and emotional supportContinue reading “Doulas: Doing Death Differently”
Founder of The Parlor, Emerita Colon is all about launching mortality awareness is Chicago. Her own positive experience of a funeral “gotten right” in 2005 begged the question, why aren’t all funerals like this? Working in the world of death midwifery allows Emerita to contribute to a more community-direct, spiritual, hands and heart-oriented model ofContinue reading “Death Dialogue in the City”
I find myself wondering what this line of work is like for all of the other women who choose to walk this path? How do I take the complexities and subtle communication skills that I have honed, and use and embody as a funeral celebrant, and express them to others in such a way thatContinue reading “The Ascent of Female Funeral Celebrants”
I have been asking archaeologists how they go about their work as professionals and people as part of my PhD research in which I am exploring what impact emotion has on the practice of UK mortuary archaeology. I have interviewed and worked alongside field, forensic, academic, student and museum archaeologists, as well as osteologists andContinue reading “Excavation & Emotion”
Anni Skilton chose to pursue a career photographing the medically curious, the diseased and the deceased. Here she shares her experiences in various hospital departments, up close and personal capturing the incredible. An inevitable part of Anni’s job involves working with those at end-of-life as well as taking photographs postmortem.
Miss Katie Smith, daughter of the late Gran W. Smith, the only lady embalmer in the South, has made a long and successful study of the subject of embalming, and today she is recognized as one of the most proficient practicing that art. There has been a growing demand for her services recently, her reputationContinue reading “Female Professional Embalmer, 1900”
Jelena Bekvalac is a Curator of Human Osteology at the Centre for Human Bioarchaeology, Museum of London. As a life course becoming a museum curator and working with human skeletal remains was not one that she carefully planned. From exciting opportunities in London to excavations in Jordan and Prague Jelena takes us on a journey down her fascinatingContinue reading “Skeletons in My Life’s Closet”
If death is most often anthropomorphised into a foreboding, grinning male does it not make sense that his companion is female? The current ‘trend’ for women in the death industry is not a trend, then, but merely an influx of women taking their rightful place back at death’s side and, once again, becoming the guardians of the dead.
The presence of a microscope in the morgue or the office of a forensic scientist seems to be a symbol to impress upon audiences the seriousness of the science being performed in that episode. But viewers are never shown “the pathologist’s view of the world”, so to speak – exactly what does the doctor see in that eyepiece and what does it mean for the case? One of the most intriguing aspects of forensic histology is the fundamental tension between the lovely images created from post-mortem specimens and the shock resulting from the realization of their source. However, the beauty of human tissue is undeniable, creating a complex interplay of light and cellular morphology in brilliant Technicolor.