Melissa Pleckham explains that for thousands of years there has been no symbol of feminine power more polarizing than the witch. Societal perceptions of witchcraft have swung wildly from reverence to scorn and back again, as female healers and magicians are viewed as either benevolent sages or as cunning manipulators seeking only to castrate men, both figuratively and (quite) literally. Here she examines one of our favourite films, The Love Witch.
The last girl standing has been debated by horror fans and academics alike. We can track her evolution through the main stream of horror but her story existed long before the 1970s. For every final girl we find a fallen woman. Looking back at Victorian fiction we find that sex equaled death long before masked serial killers stalked and brutally murdered teenagers.