Dolly Stolze introduces Frances Glessner Lee, a pop culture inspiration who many believe was the inspiration for Jessica Fletcher, the crime-solving mystery novel author in Murder She Wrote. Lee’s Nutshell Studies also inspired an episode of CSI where miniature crime scenes were left behind by a serial killer as clues. Lee is known as theContinue reading “Murder She Crafted”
In some places, the ability to sing or recite ritual laments became part of a feminine portfolio of skills, along with cooking, spinning, mending and cleaning. Here, author Sarah Murray shares an adaptation from her wonderful book Making an Exit: From the Magnificent to the Macabre, How We Dignify the Dead to give us insightContinue reading “Tears Become Ideas”
Chris Woodyard has always been interested in what the well-dressed corpse is wearing: a netted beadwork shroud, as worn by an Egyptian mummy; the beautiful brocades found in the royal tombs at Las Huelgas; a plain wool shroud tied at the head and foot, as modeled by John Donne in his funerary monument; or the frilled-frontContinue reading “Sewing Shrouds: 19th-century Burial Clothing”
The last girl standing has been debated by horror fans and academics alike. We can track her evolution through the main stream of horror but her story existed long before the 1970s. For every final girl we find a fallen woman. Looking back at Victorian fiction we find that sex equaled death long before masked serial killers stalked and brutally murdered teenagers.
Inspired Goodbyes was created by Sophia Lucop-Leech and Helen Lawson. After experiencing their own bereavements they created a positive business making sympathy cards and gifts more personal.
If death is most often anthropomorphised into a foreboding, grinning male does it not make sense that his companion is female? The current ‘trend’ for women in the death industry is not a trend, then, but merely an influx of women taking their rightful place back at death’s side and, once again, becoming the guardians of the dead.
The presence of a microscope in the morgue or the office of a forensic scientist seems to be a symbol to impress upon audiences the seriousness of the science being performed in that episode. But viewers are never shown “the pathologist’s view of the world”, so to speak – exactly what does the doctor see in that eyepiece and what does it mean for the case? One of the most intriguing aspects of forensic histology is the fundamental tension between the lovely images created from post-mortem specimens and the shock resulting from the realization of their source. However, the beauty of human tissue is undeniable, creating a complex interplay of light and cellular morphology in brilliant Technicolor.
Dr Christina Welch explains that Europe has had a long history with Sex and Death, one intimately tied to religion. This post explores a genre of art produced during this time period that melds these themes. It examines ‘Death and the Maiden’ artworks by Germanic proto-and early-Reformist artists who highlighted the folly, futility and transience of earthly vanities, through the use of erotic death imagery that juxtaposed an eroticized woman, who stood as a symbol of life and fecundity, with a male/masculine representation of death.
Author of The Undertaker’s Daughter, Kate Mayfield is here to take us back in time. A time when women were not public figures in the funeral industry but played important roles ‘behind the scenes’ at her father’s funeral home, Kate’s childhood home.
S Elizabeth has created this beautiful playlist of women who have constructed and composed aural memento mori exclusively for Death & the Maiden. As humans, we occupy a unique place in the saga of mortality, and these women in particular offer illuminating perspectives on the subject as it relates to the afterlife, funerals & wakes, ancestral memories, etc.
We are delighted to announce our first post this coming Monday will be from the wonderful Kate Mayfield, author of The Undertaker’s Daughter!