Melissa Pleckham explains that for thousands of years there has been no symbol of feminine power more polarizing than the witch. Societal perceptions of witchcraft have swung wildly from reverence to scorn and back again, as female healers and magicians are viewed as either benevolent sages or as cunning manipulators seeking only to castrate men, both figuratively and (quite) literally. Here she examines one of our favourite films, The Love Witch.
Sonya Vatomsky is here to examine the myth of Bluebeard, Perrault’s text as a canonical work, is in dire need of retelling. Culturally, Bluebeard has found itself linked more to temptation/knowledge narratives like the Garden of Eden and Pandora’s Box than to narratives of heroic escape from monstrous kings and ogres. This in itself isContinue reading “Bluebeard & the Final Girl: Feminist Retellings of Perrault’s Classic”
The subject of women and death continued to make frequent headlines this year, as well as issues concerning gender, identity and death, reproductive rights and an examination of our complex and ever-changing relationship to our own mortality. Here’s a recap of what 2016 had to offer from our co-founder Sarah Chavez.
Death & the Maiden’s co-founder, Sarah Chavez, delves into the reasons underlying the current interest many women seem to have with death, and the rise of the Death Positive movement. Exploring a question persistently asked and rooted at the very core of Death & the Maiden: Why are so many women currently interested in death andContinue reading “Death & the Maidens: Why Women Are Working With Death”
Death & the Maiden’s own Sarah Chavez presents the rebozo. For centuries, broken-hearted mothers have wrapped their lifeless infants in them for burial and covered their faces with it to signify mourning. The use of the rebozo as a shroud was once so common in Mexico, many artisans created them solely for this purpose, whereas today,Continue reading “The Rebozo: Fashion, Feminism and Death”