If death is most often anthropomorphised into a foreboding, grinning male does it not make sense that his companion is female? The current ‘trend’ for women in the death industry is not a trend, then, but merely an influx of women taking their rightful place back at death’s side and, once again, becoming the guardians of the dead.
The presence of a microscope in the morgue or the office of a forensic scientist seems to be a symbol to impress upon audiences the seriousness of the science being performed in that episode. But viewers are never shown “the pathologist’s view of the world”, so to speak – exactly what does the doctor see in that eyepiece and what does it mean for the case? One of the most intriguing aspects of forensic histology is the fundamental tension between the lovely images created from post-mortem specimens and the shock resulting from the realization of their source. However, the beauty of human tissue is undeniable, creating a complex interplay of light and cellular morphology in brilliant Technicolor.
S Elizabeth has created this beautiful playlist of women who have constructed and composed aural memento mori exclusively for Death & the Maiden. As humans, we occupy a unique place in the saga of mortality, and these women in particular offer illuminating perspectives on the subject as it relates to the afterlife, funerals & wakes, ancestral memories, etc.