Two years on, Caroline Reilly reflects on Prince’s death. Looking back at her own experiences of pain and prescription medication, she finds a clearer picture of this ephemeral man and her heart aches for the way he died, enraged at how badly society failed him both when he was living and after he died.
Following her father’s suicide, Charlotte Underwood attempted to take her own life. From the depths of grief, depression and anxiety emerged a desire to challenge mental health stigma and raise awareness.
Who is more likely to access a good death? Who is more likely to face a bad death? While tragic accidents tend to be great equalizers, we cannot make whole a death positive movement without addressing how privilege grants likelier access to a good death, and how oppression can position someone more likely to faceContinue reading “The Privilege of a Good Death”
Ivan Cenzi brings a strange story of suicide to Death and the Maiden this week. One beginning with sorrow and ending in spectacle. It’s 1863 and on hearing of a young girl’s suicide, anatomist Lodovico Brunetti requests her body be brought to him for experiments. What evolves from his casting and preservation work is unexpected.Continue reading “The Punished Suicide”
Regina Marie Cohn left a success career in fashion to work by her husband artist Ryan Matthew Cohn’s side. Embracing her inner shadow, Regina explains how she began on this intriguing journey and found true purpose and passion amongst the specimens and oddities of their New York home. With so many exciting projects underway weContinue reading “#BoneLifeWife”
Anni Skilton chose to pursue a career photographing the medically curious, the diseased and the deceased. Here she shares her experiences in various hospital departments, up close and personal capturing the incredible. An inevitable part of Anni’s job involves working with those at end-of-life as well as taking photographs postmortem.
The presence of a microscope in the morgue or the office of a forensic scientist seems to be a symbol to impress upon audiences the seriousness of the science being performed in that episode. But viewers are never shown “the pathologist’s view of the world”, so to speak – exactly what does the doctor see in that eyepiece and what does it mean for the case? One of the most intriguing aspects of forensic histology is the fundamental tension between the lovely images created from post-mortem specimens and the shock resulting from the realization of their source. However, the beauty of human tissue is undeniable, creating a complex interplay of light and cellular morphology in brilliant Technicolor.