A beautiful work of fiction for you this week from Angie McLachlan. Capturing the essences of a myriad of deaths, feelings and experiences, plucked from her 25 years serving families & caring for the dead through the sacred art and science of Embalming. Making clear this is more than just a job, Angie delves into the…
Anni Skilton chose to pursue a career photographing the medically curious, the diseased and the deceased. Here she shares her experiences in various hospital departments, up close and personal capturing the incredible. An inevitable part of Anni’s job involves working with those at end-of-life as well as taking photographs postmortem.
If death is most often anthropomorphised into a foreboding, grinning male does it not make sense that his companion is female? The current ‘trend’ for women in the death industry is not a trend, then, but merely an influx of women taking their rightful place back at death’s side and, once again, becoming the guardians of the dead.
The presence of a microscope in the morgue or the office of a forensic scientist seems to be a symbol to impress upon audiences the seriousness of the science being performed in that episode. But viewers are never shown “the pathologist’s view of the world”, so to speak – exactly what does the doctor see in that eyepiece and what does it mean for the case? One of the most intriguing aspects of forensic histology is the fundamental tension between the lovely images created from post-mortem specimens and the shock resulting from the realization of their source. However, the beauty of human tissue is undeniable, creating a complex interplay of light and cellular morphology in brilliant Technicolor.