Two years on, Caroline Reilly reflects on Prince’s death. Looking back at her own experiences of pain and prescription medication, she finds a clearer picture of this ephemeral man and her heart aches for the way he died, enraged at how badly society failed him both when he was living and after he died.
Melissa Pleckham explains that for thousands of years there has been no symbol of feminine power more polarizing than the witch. Societal perceptions of witchcraft have swung wildly from reverence to scorn and back again, as female healers and magicians are viewed as either benevolent sages or as cunning manipulators seeking only to castrate men, both figuratively and (quite) literally. Here she examines one of our favourite films, The Love Witch.
“Barfoot’s quietly powerful vocals soar amidst the passing images with grace and poise.” One Film Fan “She is best known for the ethereal poise of her crystal singing voice. Wise Owl is an evocative song, well arranged and placed within a delicate but solidly crafted recording.The clarinet, cello and vocal soar around each other throughoutContinue reading “The Wise Owl: Part II”
There is something in the work of photographer Karen Jerzyk that cannot be put into words. The otherness of a world created from the abandoned and discarded is captured with a deep, dark softness. Each image tells us a story only our emotions can read. Karen shares her journey onward from her father’s sudden death in 2011. Her soul and life forever shifted in that period of time in a way that would truly change her outlook and her art forever.
Today marks the fifth anniversary of Amy Winehouse’s death. In tribute, Death & the Maidens’ own Lucy Talbot reflects on first hearing the news and celebrates Amy’s legacy by examining the impact her passing had on the place she loved most. Gone but never forgotten. We love you Amy.
Lewis Barfoot takes us to the darkest and most desperate days of grief. Sharing with us how her recent loss has affected both her life and her song. Her music and musical practice became driftwood for her sinking sailor. The most resilient flotation device you could imagine.
S Elizabeth interviews musician Gemma Fleet of The Wharves on her project “Lost Voices” which explores vocal improvisation in folk culture. Volume 1. “Keening and the Death Wail” has roots in Fleet’s own childhood. She believes she encountered an Irish traveler funeral; an “unhindered display of grief” wherein the woman in mourning was not being hushed,Continue reading “Keening & the Death Wail”
When the wonderful people at Art Macabre invited Death & the Maiden’s own Lucy Talbot to experience the first Drawn at the Tower, a series of events at the Tower of London after dark, how could she say no? Particularly when it would be the She Wolf of France walking into the beautiful low litContinue reading “Drawn at the Tower”
In some places, the ability to sing or recite ritual laments became part of a feminine portfolio of skills, along with cooking, spinning, mending and cleaning. Here, author Sarah Murray shares an adaptation from her wonderful book Making an Exit: From the Magnificent to the Macabre, How We Dignify the Dead to give us insightContinue reading “Tears Become Ideas”
S Elizabeth has created this beautiful playlist of women who have constructed and composed aural memento mori exclusively for Death & the Maiden. As humans, we occupy a unique place in the saga of mortality, and these women in particular offer illuminating perspectives on the subject as it relates to the afterlife, funerals & wakes, ancestral memories, etc.