Artist Sara Lucas challenges us to see the transience in beauty. Three years on from her breast cancer diagnosis she reflects on the moment her priorities changed. A few fashion magazines and marker pens later she felt alive. After all, we’re all going to die anyway, pretty or not!
If society’s beauty standard dictates a ‘proper’ woman should have pale skin and wear a crinoline that makes it near impossible for her walk through a doorway, chances are, that is a society that believes a woman’s place is in the home. So what does it say about a culture when the height of beauty is to be slowly dying of a horrific illness?
In examining the reasons why pregnant women and young infants have traditionally been seen as particularly vulnerable to demonic influences, it may be necessary to look at popular views concerning soul belief and young infants. In many cases, very young children are seen as occupying a liminal status between the world of the living andContinue reading “Proboscis Tongues and Demonic Queefing”
S. Elizabeth discusses the scent of death. Perfumes, oils, and other fragrances played a key role in the process of mummifying a body for burial, as well as denoting what status the person held in life. Scents of loss, grief, passage, and remembrance -perfumers and artistic noses have certainly attempted to create fragrances based around these timelessContinue reading “Perfume of the Dead”
The last girl standing has been debated by horror fans and academics alike. We can track her evolution through the main stream of horror but her story existed long before the 1970s. For every final girl we find a fallen woman. Looking back at Victorian fiction we find that sex equaled death long before masked serial killers stalked and brutally murdered teenagers.
Dr Christina Welch explains that Europe has had a long history with Sex and Death, one intimately tied to religion. This post explores a genre of art produced during this time period that melds these themes. It examines ‘Death and the Maiden’ artworks by Germanic proto-and early-Reformist artists who highlighted the folly, futility and transience of earthly vanities, through the use of erotic death imagery that juxtaposed an eroticized woman, who stood as a symbol of life and fecundity, with a male/masculine representation of death.