Tubercular Venus: When the Beauty Standard was Dying

If society’s beauty standard dictates a ‘proper’ woman should have pale skin and wear a crinoline that makes it near impossible for her walk through a doorway, chances are, that is a society that believes a woman’s place is in the home. So what does it say about a culture when the height of beauty is to be slowly dying of a horrific illness?

The Black Dahlia

On the 15th of January at 10am in 1947, the body of 22 year old Elizabeth Short was discovered in Liemert Park, Los Angeles by a woman (Betty Bersinger) walking her 3 year old daughter. Betty initially believed the victim was a broken shop mannequin as she had been bisected (cut into two pieces) but on closer [...]

Proboscis Tongues and Demonic Queefing

In examining the reasons why pregnant women and young infants have traditionally been seen as particularly vulnerable to demonic influences, it may be necessary to look at popular views concerning soul belief and young infants.  In many cases, very young children are seen as occupying a liminal status  between the world of the living and [...]

Perfume of the Dead

S. Elizabeth discusses the scent of death. Perfumes, oils, and other fragrances played a key role in the process of mummifying a body for burial, as well as denoting what status the person held in life. Scents of loss, grief, passage, and remembrance -perfumers and artistic noses have certainly attempted to create  fragrances based around these timeless [...]

The Final Girl

The last girl standing has been debated by horror fans and academics alike. We can track her evolution through the main stream of horror but her story existed long before the 1970s. For every final girl we find a fallen woman. Looking back at Victorian fiction we find that sex equaled death long before masked serial killers stalked and brutally murdered teenagers.

Death, Sex, Religion and the Erotic Women

Sex and death reflect the oppositions of immanence and transcendence, the earthy and the spiritual, the here-and-now and the ever-after. This post explores a genre of art produced during this time period that melds these themes. It examines ‘Death and the Maiden’ artworks by Germanic proto-and early-Reformist artists who highlighted the folly, futility and transience of earthly vanities, through the use of erotic death imagery that juxtaposed an eroticized woman, who stood as a symbol of life and fecundity, with a male/masculine representation of death.