If society’s beauty standard dictates a ‘proper’ woman should have pale skin and wear a crinoline that makes it near impossible for her walk through a doorway, chances are, that is a society that believes a woman’s place is in the home. So what does it say about a culture when the height of beauty is to be slowly dying of a horrific illness?
Helen Barrell examines the lives of three apparently ordinary women: Sarah Chesham, Hannah Southgate, and Mary May. 1840s Essex became notorious as a place where women stalked the lanes looking for their next victim to poison with arsenic, though much of the reported horror remains unfounded. - Helen Barrell - Helen is a librarian. She [...]
Laurel Witting creates bespoke pieces of jewelry that pay homage to mourning practices of the past. Each piece unique, she finds influence & sometimes materials in the forgotten corners & dusty boxes of yesterday. Handcrafting modern mourning jewelry using traditional beading patterns to both reflect Victorian design & commemorate the dead. Laurel hopes that her mourning [...]
In 1912 an American "Lady Undertaker" addresses the question of why women are especially suited to work with the dead.
This week features one of Death & the Maiden's favourite shops. Samantha Lyn owner of Funereal Ephemera collects postmortem photographs, memorial cards, funeral photographs and cemetery photographs. They’re forgotten, only to be revealed generations later, to modern eyes with a modern sense of death and mourning. A piece of history lost and found again. Samantha sees those [...]
Chris Woodyard has always been interested in what the well-dressed corpse is wearing: a netted beadwork shroud, as worn by an Egyptian mummy; the beautiful brocades found in the royal tombs at Las Huelgas; a plain wool shroud tied at the head and foot, as modeled by John Donne in his funerary monument; or the frilled-front [...]
If death is most often anthropomorphised into a foreboding, grinning male does it not make sense that his companion is female? The current ‘trend’ for women in the death industry is not a trend, then, but merely an influx of women taking their rightful place back at death’s side and, once again, becoming the guardians of the dead.